Plural of Anecdote with D Muthulingam

The Erotics of Revolution, Part II

Joyful perversion is only a thresshold, what will we build on the other side?

Jan 1 • 

D Muthulingam

7

December 2024

The Erotics of Revolution, Part I

Not a Manifesto - seduction, subterfuge & the role of art in birthing the new world

Dec 14, 2024 • 

D Muthulingam

13

3

May 2024

Mother

Homage to the Deep, Dark Mother, the Sea

May 29, 2024 • 

D Muthulingam

7

2

Part II: the Psychological, the Sociological, and the Nonfiction "I"

Did you know sometimes moms like to have fun? Myriam Gurba, Immigrant Parents, Guernica, and other revelations

May 2, 2024 • 

D Muthulingam

3

April 2024

Part I: I thought Leslie Jamison's Splinters was good, then I thought maybe not, but now IDK

Writing Mother, Money, Envy, and the Moment

Apr 27, 2024 • 

D Muthulingam

4

December 2023

Notes from the end of the year/world, waiting for the next one

Happy New Year’s Eve Friends.

Dec 31, 2023 • 

D Muthulingam

3

2

September 2023

How I spent my Summer

Rethinking apocalypse, seasons, and other brief reviews

Sep 6, 2023 • 

D Muthulingam

1

2

March 2023

Sex, Ambition and Acquisition

3 notes on problematic desire

Mar 14, 2023 • 

D Muthulingam

3

January 2023

On the Banality of Story: the perils and pitfalls of narrative

On the post-storytelling moment

Jan 13, 2023 • 

D Muthulingam

2

5

November 2022

Reading Hard Things: On losing the Trauma Plot.

Should we read "difficult art"? What if we are tired?

Nov 27, 2022 • 

D Muthulingam

6

September 2022

A Brief History of Time Travel

An essay on memory, madeleines and who tells the tale

Sep 29, 2022 • 

D Muthulingam

4

August 2022

Book Review: Queer Eros, Class, Race and Nematodes in Brandon Taylor’s novel Real Life

The Dark Academia Aesthetic of Class Mobility

Aug 16, 2022 • 

D Muthulingam

4